Winter brings frigid nights but this steamy short story from The Man Who Thought He Was The Man Who Loved Women by bart plantenga will heat up your groins!
An ex-girl-friend-stripper-artist once told me that being beautiful – as painful as she found it to admit – was just as bad as being ugly, an Achilles heel, a burden that people hate you for. She may have called it “beauty persecution” or something like that.
Well, Emke saw it differently. Emke considered her considerable beauty to be like a lead guitar, the bumper on a ’62 Cadillac, a backlit Ingres in the Louvres, a spring-loaded firearm… Her beauty, simply put, made others nauseous. It had a destabilizing effect in crowds. Imagine Marilyn Monroe stepping off the Whirl-i-gig into Madison Square Garden during a cock fight. Everyone suddenly gets up off their haunches, standing erect as if saluting the flag, silent and humble for a few endless seconds as their cocks scurry about. Some people will never understand this almost vengefully ecstatic, life-fucking aspect of beauty.
Artist and activist Kim Yaged is a writer with a unique vision, and a passion for art and social justice. She has a creative flair, a positive outlook, and a passionate bent.
An award-winning writer and photographer, Kim Yaged is passionate about…well a lot things. But, where art and activism meet is of particular interest to her and she takes dedicated action in that regard. One could classify Kim Yaged as an artivist, but that might annoy her. But, certainly she sees — and creates — art through a lens that encompasses a social justice perspective and social justice programs that incorporate art. Her work is quirky and edgy, and her artistic range is impressive.
Stephanie Schroeder asked Kim Yaged for some insight into her art and activism as well as her relationships with both New York City and Berlin.
Ran Dosis is a German/American singer-songwriter, multi-instrumentalist and musician. Born and raised in a multi-cultural and artistic family in Heidelberg/Germany, Ran Dosis discovered his passion for music at an early age. Taking piano, singing and percussion lessons in his childhood, he also over the years taught himself the guitar, bass, various synthesizers, talk box and music production. After years of creating demos, rehearsing and performing in Germany, Ran Dosis decided to move to New York City. He is currently working on his new album called Age Of Flamboyance.
S2S: Born and raised in Heidelberg a rather small and conservative city in Germany you decided to move to New York, a pulsating metropolis in the United States. Why New York City? Were there other cities you were attracted to?
To me it has always felt like the two cities are
connected by a subway line. Alexander Hacke, aka Dr. Hacke, Einstürzende Neubauten
An experienced home exchanger with six apartment swaps under my belt, I was in no position, in the winter of 2009-2010, to travel abroad. So, when someone from Berlin inquired about an apartment swap, I sent back a modest proposal.
I offered my apartment as the New York City-based accommodation for the inquiring Berliner and her partner while the designated traveler would be my friend Marion, a writer, web designer, and translator.
“The best things in life are free” goes the old adage and for the rest there’s MasterCard. That’s how last Sunday went down when we were escorted to the old TWA Terminal at JFK in an old friend’s 1964 Ford Falcon station wagon. For the price of a couple gallons of gasoline and short term parking, we were able to experience an architectural landmark in all its 1960s sublime glory. Untouched, except for a few minor 80s alterations, the entire structure was open to the public last weekend during Open House New York. A once in a lifetime visit that effectively allowed the spectator to time travel back to a period of aesthetics, that ultimately, we can no longer arrive at.
Last week Eva Koethen‘s show The Creation of New Spaces of Perception opened at the German Consulate General in New York. The photographs in this new exhibition, installed on the floor of the lobby, are not only to be viewed but also to be walked on – in a corporal as well as metaphorical sense. S2S talked to Eva Koethen about the concept behind her current work, her home town Berlin, her frequent visits to New York and the changes she has witnessed throughout the years in both cities.
S2S: You are known for your Tritt-Bilder (Step-on pictures). You have stated that in your work “the field of potentiality at the feet of the beholder is no longer limited to visual observation but the images have to be walked on and across.“ Continue reading →
The Literary Colloquium Berlin celebrated its 50th anniversary in New York on September 28 and 29, 2013. The panel event Shining Island, hosted by the Goethe Institut New York, brought esteemed German authors such as Marcel Beyer,Durs Grünbein, Felicitas Hoppe, and Uljana Wolfto New York. “How American is It?” asked the first panel but translator Susan Bernofksy, Beyer, and Grünbein shifted the topic towards the question how American literature and culture influenced German authors in general (a great deal) and which German authors are more celebrated abroad than at home (W.G. Sebald, Rainer Maria Rilke). While the event was off to a good start, the panel did not specifically discuss Berlin as one might expect in a panel on the “Past, Present, and Future Berlin.”